By now you’ve probably heard the biggest news to come
out of January’s Consumer Electronics Show (CES): Sony’s
Blu-ray has beaten Toshiba’s HD-DVD in the
high-definition DVD war. Yet the real winner may be
Apple. Or Netflix. Or Comcast.
Until January, the major movie studios were evenly
divided between the two formats. But then Time Warner,
which had supported both, announced at CES, in Las
Vegas, that it would no longer release its movies in
HD-DVD. In Hollywood, where the line between perception
and reality can be thinner than a laser beam, this was
taken as a complete victory for Blu-ray and, therefore,
it was one.
PHOTO: Junji Kurokawa/AP PHOTO
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It’s the very skinniness of blue lasers, thinner than
red, that lets blue lasers read data when it’s packed
five times as densely as it is on today’s CDs and DVDs.
Both Sony and Toshiba used this one scientific
principle, yet they created different and incompatible
formats. The incompatibility has frustrated movie
studios and electronics manufacturers alike, which have
watched consumers sit on the sidelines, uncertain what
disks—and players—to buy. Having sold us VHS tapes and
then DVDs, studios and manufacturers hope that now that
Blu‑ray has come out on top, we will buy our movie
collections for a third time.
But there’s every reason to think that Sony’s victory
will be for naught. Many of us won’t rebuild our video
collections yet again, and if we do, it won’t be with
thin little platters. We’ll simply download movies
through our DSL and cable modems.
That might not have been apparent when Sony and
Toshiba began work on next-generation DVDs back in the
1990s, a time when broadband was rare and slow. As late
as 2000, when Sony showed its first prototype Blu-ray
players, broadband penetration rates, including
Japan’s and the United States’, were under 5 percent.
Counting on consumers to download movies was
unrealistic.
Today, however, throughout the developed world,
broadband is used in at least half of all households.
And while a high-def movie can take an hour to download
even on a fast DSL connection, you can start watching
within a minute; the data flow continues in the
background.
And so when you look past the Blu-ray victory, the
latest developments in digital movies are all about
downloads, not disks.
At MacWorld, which directly followed CES, Steve Jobs
announced a new download service for renting movies.
As with music, Apple has struck deals with the major
movie studios. You can begin a show on your computer
or television and finish watching it on your iPod or
iPhone. The service started in February with
1000 movies, costing US $2.99 to $3.99 each.
Apple’s biggest competitor may be Netflix, which has
deals with all the same studios. Subscribers can view
hours and hours of movies without paying anything more
than their current monthly subscriptions. Netflix
relaunched the service in January with more than 6000
titles.
Back in February 2007, TiVo and Amazon started a movie
partnership that lets you buy or rent movies, which get
stored on your TiVo’s hard disk. A review by the Web
magazine Engadget said, “If
you already own a TiVo, then this is about as easy as
movie downloading can get.”
Older download services are still around, such as
Movielink, Vudu, and CinemaNow, which lets you buy some
first-run movies, starting at $14.95, while they’re
still in theaters.
Finally, at CES, Panasonic and Comcast showed a
portable digital-video recorder with its own screen. At
home, it’s like any DVR you might get from your cable
company. But when you and the family go on vacation,
just pull it out of its docking station. It comes with a
12‑volt car adapter, so the kids can watch in the
backseat and at the summer cottage.
So do we really need to trudge out to Blockbuster,
Best Buy, or Wal-Mart for a disk? Or wait for the
now-familiar red envelope from Netflix? A lot of
companies, including Apple and Netflix itself, are
betting no. Sony and the other movie studios, even
though they get a cut from movie downloads, hope the
competition is wrong. I don’t think they are.