PHOTO: Google
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Vinton Cerf
Chief Internet Evangelist, Google
Founding father of the Internet, helped develop TCP/IP standards
Novel: The Lord of
the Rings, J.R.R. Tolkien (3 volumes, 1954–1955)
First read it: 1965, age 22
“I think I would have to say that The Hobbit and
The Lord of the
Rings trilogy takes the top prize for me.
Certainly I have read and reread these volumes many
times since I first read them in 1965. The richness of
Tolkien's imagination and expression still resonates
with me no matter how many times I reread his work. The
detailed history, the language and especially the poetry
create depth beyond the norm in my opinion. I can hear
the music in the poetic verses, as I imagine do many of
his avid readers. The Good versus Evil theme with Good
triumphant is, or course, very satisfying but perhaps
even more so is the unexpected courage of the hobbits,
especially Frodo and Sam but the others as well. The
theme tells us to look beyond the surface to what is
inside each person. I think I like most two scenes in
the third volume. The first, after the war is
essentially over, and the hobbits have come to Gondor,
and the crowds proclaim, ‘Praise them with great
praise!’ and the second, when the Hobbits return to the
Shire and clean out the evil that has lodged itself
there (Saruman/Sharkey and his gang).”
PHOTO: IEEE
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Donald Christiansen
Former editor, IEEE Spectrum; President of Informatica
Novel: War and
Remembrance, Herman Wouk (1978)
First read it: 1978
“Not an easy call. Considering his complete output, my
favorite novelist is John P. Marquand, and I have
collected first editions of all his work (So Little Time,
Point of No
Return, The
Late George Apley, etc.). But the unique
book that comes to mind is Herman Wouk’s War and
Remembrance, published by Little, Brown in
1978. Fictitious naval officer Victor Henry helps bring
to life the World War II years from Pearl Harbor (1941)
to Hiroshima (1945). My own stint in the Navy during
World War II made this book of particular interest to
me, and I read it soon after its publication.
“It is neither short (1042 pages) nor an easy read.
Familiarity with the geography of the Pacific (and
Europe), and some acquaintance with naval terms and
acronyms, e.g., TDC (torpedo data computer) and Is-Was
(a backup instrument for the TDC) will help.
“Historically accurate events and locales become
background for the plot. FDR, Churchill, and Stalin, and
also well-known naval figures like Nimitz, King, Halsey,
Kinkaid, Spruance, Mitscher, Yamamoto, Kurita, and Ozawa
appear with regularity and historical legitimacy. The
following, referred to in the text by Wouk, are real,
not invented: the Wannsee Protocol, the Bermuda
Conference, and FM sonar (“Hell’s Bells”). Except for
three fictitious submarines, all the naval vessels are
real and their actions accurately portrayed.
“In Wouk’s own words, his purpose in writing
War and
Remembrance ’was to bring the past to vivid
life through the experiences, perception, and passions
of a few people caught in the war’s maelstrom . . . by
scrupulous accuracy of locale and historical fact, as
the background against which the invented drama would
play.’ ”
“In his foreword to the first edition, Wouk concluded
that ‘war is an old habit of thought, an old frame of
mind, an old political technique, that must now pass as
human sacrifice and human slavery have passed,’
optimistically adding “I have faith that the human
spirit will prove equal to the long heavy task of ending
war.” Rereading this nearly three decades later, I’d say
it appears that his encouraging optimism was, at the
least, premature.”
PHOTO: David Mindell
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David Mindell
Frances and David Dibner Associate Professor of the
History of Engineering and Manufacturing, MIT
Expert in deep-sea archaeology and the technology that
makes it possible; author of
War,
Technology and Experience aboard the USS Monitor
(Johns Hopkins, 2000).
Novel: Gravity’s
Rainbow, Thomas Pynchon (1973)
First read it: In college
Comment: “It’s a wonderful mix of technology and
history, a smart use of technology and rocketry as a
metaphor for larger issues in the age of large
technological systems, and a unique use of technical
topics—spectra, feedback control, chemical processes—as
literary metaphors.”