PHOTO: Chip Simons
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SIGRID
CLOSE, an IEEE member, tracks meteors
and other phenomena in
the ionosphere that can impede
satellite communications.
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“A hundred billion,” says . That's
how many meteors collide with the Earth's atmosphere
every day. Most are whittled away in the ionosphere, and
Close spends her days studying exactly how they
disintegrate. That's right: she gets paid to watch
shooting stars.
Close is the resident expert in ionospheric and
near-Earth phenomena at Los Alamos National Laboratory
in New Mexico. Her work regularly takes her to places
like India, China, Puerto Rico, and the Marshall
Islands, where she uses the most advanced space
surveillance telescopes and radar to study the uppermost
reaches of the atmosphere, some 85 kilometers above the
Earth's surface.
Close's, and Los Alamos's, interest in shooting stars
isn't purely academic. It turns out that meteors, as
well as the ionosphere itself, disrupt radio signals.
When meteors hit the atmosphere, they tend to melt into
plasma plumes dense with heavy metals, sometimes causing
big bubbles that momentarily block the path between a
satellite and an Earth-based receiver. Similar
disturbances, called equatorial plumes, occur naturally
in the ionosphere, blossoming at sunrise and sunset,
when the sun's radiation forces lighter plasma to well
up as heavier plasma falls. For a satellite, Close says,
the effect is as difficult to see through as ripples in
a pond.
At Los Alamos's satellite operations center, Close
works with a team of rocket scientists and engineers
studying these plasmas to determine how and when they
will cause problems. By better understanding the
underlying physics, she says, aerospace engineers can
better safeguard their systems. Her main responsibility
is monitoring satellites for the U.S. Army's Air and
Missile Defense Command, including one satellite that
scans the skies for signs of clandestine nuclear tests.
She also gets called in during satellite launches, which
can be compromised by the meteor plasmas and the meteors
themselves. “You think you're tracking a launch,” Close
explains, “and actually the radar is just tracking these
dense plasma structures.”
From an early age, Close says, “I wanted to work on
something in space.” As a child growing up in Allentown,
Pa., she remembers her parents taking her out on clear
nights “to see Mr. Moon.” Her father, a computer
engineer, gave her a telescope for her eighth birthday.
In 1992, her love of space naturally led to a physics
and astronomy B.S. at the University of Rochester in New
York state.
Close then went to the University of Texas at Austin,
intending to get a Ph.D. in physics. She finished her
master's but went no further. “I was burned out,” she
says. It didn't help that a co-worker kept leaving Bible
passages on her office chair exhorting women not to
work. Close also wanted to spend more time on her music.
Like her mother, she is a classically trained pianist.
Close moved to Boston and recorded an album, Mirrored Self,
released in 1997, an improbable blend of classical piano
and postcollege angst.
Close took a job at MIT's Lincoln Laboratory to study
the ionosphere. Her work involved heavy doses of
engineering, especially signal processing. Learning to
recognize the signature of a meteor or some other object
on a radar screen, she says, is a lot like learning to
read Braille. At first she had trouble distinguishing
the White Sands missile range, in New Mexico, from an
ocean or a forest. Over time, though, she became an
expert in characterizing the noise that ionospheric and
meteor plasmas can inject into signals.
In 1998, MIT sent her on a two-year stint to Kwajalein
Missile Range, a tiny strip of land in the middle of the
Pacific Ocean. There, she did space surveillance using
the ARPA Long-Range Tracking and Instrumentation Radar,
or as Close puts it, “the big honking telescope.”
She soon found herself traveling to other telescopes
all over the world, where she monitored satellite
launches and the 8000 or so operational satellites
circling the planet. “Anytime anyone sent anything into
space,” she says, “we tracked it.” Fortunately, her
husband, Greg, had the kind of job—he's a
science-fiction and fantasy writer—that let him join
her on her travels.
In 2000, she was accepted into the highly competitive
MIT Lincoln Scholars Program, which allowed her to
receive her full staff salary while she finished her
physics Ph.D. For her doctorate, which she completed in
2004, Close figured out how to weigh meteors by their
radar signatures, using data she'd collected at
Kwajalein. “If we know their weight,” she says, “we know
how much damage they can do.”
Pretty soon, Los Alamos came calling.
“I didn't even want to work here at first,” she says.
Initial impressions can be intimidating. The national
lab, best known as the home of the atomic bomb, sits on
162 square kilometers of desert in the middle of
Bandelier National Monument. Striated cliffs tower above
short, scrubby trees that dot the land like green sheep.
The lab's wide border is flanked by a flimsy-looking
chain-link fence. But closer to the main facility,
menacing army-green vehicles patrol the grounds, aided
by Terminator-like soldiers sporting camouflage and
mirrored sunglasses, weighed down by guns so big they
look fake.
Despite the lab's military trappings, Close says, “I
can't imagine leaving.” The atmosphere among the
researchers and postdocs is congenial, relaxed, and
prone to pranks, she says. Last year, an anonymous
artist redrew the men's room stick-figure icon using
Wite-Out to extend its round head into a cone. Later,
during construction work on the ceilings, a rogue
staffer marked dangerous areas with the exhortation to
“WATCH YOUR CONE.”
Beyond the silliness, the job lets Close deeply
indulge her love of space. She's the proverbial kid in a
candy store when she talks about her many ongoing
projects. She admits that she has a tendency to take on
too much. “There's so much amazing stuff going on here,”
she says, “it makes it hard to choose.” In fact, she's
already plotting her next project, funded by the Defense
Advanced Research Projects Agency: taking on the
troposphere.